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Roland FR-7 V-Accordion Digital Accordion: Mixing 22 Orchestral Sounds and BassRoland proudly announced the arrival of two breakthrough instruments: the FR-5 and FR-7 V-Accordions. Based on Roland’s proprietary Physical Behavior Modeling (PBM) technology, these lightweight, reedless digital accordions put dozens of ultra-realistic instruments at the player’s fingertips. They are a dream come true for accordionists who have long wished for a more versatile instrument. Every modeled accordion onboard the FR-7/5 plays and reacts exactly like the real thing, down to the smallest nuance. But the V-Accordion doesn’t stop there. Select a grand piano, an acoustic guitar, a brass or woodwind instrument, and squeeze new life into these classic sounds. Audiences won’t believe what they’re hearing!PBM (Physical Behavior Modeling) enables true sound reproduction and dynamic expression. Realistic tone and expressive simulations of a wide range of traditional accordions. 22 onboard Orchestral sounds and 7 Orchestral Bass sounds that can be mixed together with traditional accordion sounds. Portable, lightweight and expandable via MIDI. Expand creative possibilities and explore new performance options not achievable using traditional instruments. The FR-7 is a complete, all-in-one model with powered speakers. The V-Accordions don’t depend on moving parts to generate sound, which makes them virtually maintenance free. This results in an instrument that’s always in tune across a wide range of octaves. Both accordions are lightweight and portable, with an onboard digital amplifier and rechargeable Ni-Mh battery pack (optional on the FR-5). For live performance, the FR-7 incorporates a pair of powerful lightweight neodymium woofers and tweeters for a consistent, full range low-end to high-end output. In addition, each V-Accordion can be plugged directly into a sound system or a recording device via a 1/4-inch cable. A headphone jack is offered for private practice. The V-Accordions are based on newly developed Physical Behavior Modeling algorithms that faithfully reproduce the characteristics and nuances of authentic accordions. They can simulate up to 30 different accordion sound sets, each including 14 Treble Registers, seven Bass & Chord Registers, and seven Free Bass Registers. The user-friendly interface enables switching instantly between accordion sounds. In additional to the wide variety of accordion voices, the FR-5/7 houses 22 orchestral and pop sounds, all with full-bellows articulation. Orchestral sounds include Trumpet, Trombone, Sax, Clarinet, Oboe, Harmonica, Violin, Flute, Jazz organ, Percussive Organ, Human Voice, Mandolin, Acoustic Guitar, and Acoustic Piano, to name a few. Seven high quality Bass Orchestral sounds can be played separately by the left hand, including Acoustic Bass, Bowed Bass, Fingered Bass, Picked Bass, Fretless Bass, Baritone Tuba, and Baritone Tuba + E. Bass. Onboard MIDI functionality allows integration of sound modules, arranger keyboards, or external sequencers. Keyboard & Bellows Right Hand 41 Keys Piano Type with velocity Left Hand 120 Bass buttons with velocity Keyboard Mode Right Hand: Solo, Dual, High/Low (for Orchestral Sounds) Left Hand: Standard, Free Bass Bellows Real pneumatic detection of bellows pressure, by a high resolution pressure sensor Sound Tones: Accordion Set 30 full programmable * Each Accordion Sets including: 14 Treble registers 7 Bass registers 7 Free Bass registers 22 Orchestral sounds Treble Reed Footages 7 Bass Reed Footages 5 Chord Reed Footages 3 Free Bass Footages 2 Orchestral Sounds 22: Trumpet, Trombone, Alto Sax, Tenor Sax, Clarinet, Oboe, Harmonica, Muted Harmonica, Violin, Pizzicato, Flute, Pan Flute, Highland, Zampogna, Jazz organ, Perc. Organ, Rotary Organ, Term. Organ, Scat Voice, Mandolin, Acoustic Guitar, Acoustic Piano Orchestral Bass Sounds 7: Acoustic Bass, Bowed Bass, Fingered Bass, Picked Bass, Fretless Bass, Bariton Tuba, Bariton + Bass PBM (Physical Behavior Modeling) Noises Stopping-reed growl Closing valve noise Left button noise Individual Reed Simulation Hysteresis threshold Expression curve Pressure variant filter Pressure variant pitch deviation Switching Reed Sound Wave By bellows acceleration By note repetition speed Musette Tuning Musette-Micro-Tuning Presets 16: Off (Standard), Dry, Classic, Mauge, American L/H, North Europe, German L/H, Morn L/H, Alpine, Italian L/H, French, Scottish Effects Reverb 8 Types Chorus 8 Types Delay 10 Types Rotary for Orchestral Organ Sound Slow/Fast "Cassotto" and "Sordina" Simulation Yes Panel Controls Knob Controls Volume, Treble/Bass balance, Reverb, Chorus, Delay Encoder Data Edit with Enter switch Panel Switches Treble Registers 14 + Master + Orchestra Bass Registers 7 Navigation Switches Up, Down, Menu/Write, Exit/Jump Other Switches Accordion Set Up/Down, Sordina On/Off, Power Others Display 48 x 84 graphic backlit LCD Rated Power Output 2 x 25 W RMS Speakers 10cm x 2 speakers (using Neodymium Transducer Magnets), Tweeters x 2 Onboard Connectors Headphone jack (Stereo), Output jack (Stereo), Multi Connector (to FBC-7) Battery Rechargeable Ni-Mh battery pack 24V-4500mAh Color Variation Dark Grey Red Supplied Accessories FBC-7 (Power supply/Battery Charger), Owner's Manual, Straps External FBC-7 Specifications 5 Programmable Foot switches (Set Up/Down, Register Up/Down, Sustain), Multi connector (towards Accordion), Expression Pedal jack, MIDI connectors (In, Out, Thru), Output jacks (L/Mono, R), AC Inlet Size and Weight Width 528 mm 20-13/16 inches Depth 275 mm 10-7/8 inches Height 423 mm 16-11/16 inches Weight 11.5 kg 25 lbs. 6 oz. *The specifications are subject to change without notice. + Post comment/question/reply Peavey Guitars Pro 1600 Bass Amp Head assive 1600 Watt amp that drives 4 Ohms. Since the sub output typically requires more power than the high output, the Pro 1600 automatically shifts the power to the sub when the amp is in bi-amp mode, Notes on the 1st String of the Bass Guitar In this lesson we'll look at the notes on the 1st string of the bass guitar. The notes on the first string are (using sharps) : G G# A A# B GT-6B Bass Effects Processor killer tracking round out the impressive effects package. Using the GT-6B is a blast, thanks to familiar analog-style knobs and its built-in Expression and Control pedals. Taken together, thes Spectrasonics Trilogy total Bass Module first Electric Acoustic Synth Bass Software Plugin All new sounds developed by award-winning sound designer Eric Persing Hundreds of brand new Electric, Acoustic and Synth Basses, each with dual layers Mix and Match layers for thousands of d Exciting new bass products from Evans e used separately with fantastic results as well. They offer drummers a brand new way to damp their bass drum, increase attack and the variety of sounds and styles that can be produced is nearly limit Yamaha BB1000MA Electrics Bass Brings Back Classic Sound oard for improved access to the upper register. The headstock features a "4-in-line" tuner design and durable chrome hardware. Passive electronics and P/J format Alnico V pickups produce a tone that c Yamaha Artists Jazz It Up With New Silent Bass at BASSICALLY NEW YORK performances for professional bass players, Yamaha showcased this musical instrument in a setting where it would typically be heard. In addition, a display instrument with headphones was available to Advanced Scales on Bass Guitar s you need to be able to play the scale at different positions. Know which notes are in the scale and how the scale can and should be used. A scale is not just a group of notes. Each scale has its 328XD digital mixing console next generation Digital 328 mixer console, the next generation of the popular Digital 328 production mixer, now offering dynamics processing on every channel, group and mix path. With the 328XD, Soundcraft has considerably built up new Basses RBX774 4-string and RBX775 5-string Bass from Yamaha mbo Division. "The RBX line has been the bass of choice for some of today's most progressive musicians, and the RBX774 and RBX775 are fitting additions to that family." Electronics include a pa |
News date: 20050323 Posted by: Musiciansnews.com FR DiMarzio Fred Pickup Humbucker DiMarzio F-Spaced Fred Pickup GHS Fast Fret Martin DXM X Series 14-Fret Dreadnought Martin DM Road Series 14-Fret Dreadnought Danelectro DJ13 French Toast Octave/Distortion Mackie M1400i Power Amplifier Mackie M800 Professional Power Amp Fender Frontman II 15R Guitar AmplifIer with Reverb Michael Kelly DF5 Left-Handed Fretless Acoustic-Electric Bass Kerly Music Kerly Kues Bass Guitar Strings Remo Powerstroke Bass Drum Head Seiko STX1 Clip-On Guitar and Bass Tuner DR Strings MR45 Hi-Beam Bass Strings Fender Rumble 100 Bass Guitar Amplifier Brian Moore iGuitar2.13 Electric Guitar with Roland Interface Kustom Groove Bass 410H Bass Cabinet (600 Watts, 4x10 in. Ashdown MAG410T Deep Bass Cabinet (350 Watts, 4x10 in.) D'Addario DAddario EXL160 XL Nickel Wound Bass Strings (Regu Fender Highway 1 US Special Precision Bass (Rosewood, Wit
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