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Marshall Limited Edition JTM45 Guitar Amp StackIn late 2005, Marshall Amplification celebrated the 40th anniversary of the world’s first amplifier stack. To honor this achievement, the company has announced a limited edition reissue of its first-ever all-valve, 100 Watt head, the JTM45/100. This iconic head will be sold as part of a stack that includes two 4x12 cabinets, the angled 812T40 and straight 812B40. When stacked, these two cabinets emulate the immense 8x12 cabinet that accompanied the first few JTM45/100s. This 40th Anniversary Stack is the latest in Marshall’s ongoing series of handwired, reissue amplifiers and matching speaker cabinets.The original version of this world famous amplifier was built in late 1965 at the request of a popular, young English rock guitarist with a propensity for breaking his instruments. Jim Marshall was asked to provide bigger and louder amplification to accommodate the artist’s aggressive rock ‘n’ roll and blues style, so the Marshall team of engineers developed a head based on the JTM45 preamp section but with two 50 Watt power sections as the basis for the very first Marshall 100 Watt head. Due to its unique output stage, this amplifier is often referred to as the “dual transformer head.” In November 1965, these formidable amps with accompanying 8x12 cabs made their stage debut. However, the original 8x12s proved too bulky for transport and were returned in favor of stacking two 4x12 cabinets one on top of the other. Thus the Marshall ‘stack’ was born. At a time when the face and sound of popular music was rapidly changing, players were constantly pushing back and redefining musical boundaries. The JTM45/100, with its relatively simple controls, features and circuitry was there on the front line at the beginning of this important revolution in rock music. A more complete story of the first Marshall stack can be found at the end of this piece. The goal for the handwired re-issue was simple — to make it as identical to the late 1965 originals as possible. As a result, the circuit, cosmetics, construction, sound and all-important dynamic characteristics have all been meticulously recreated. All of the original components and materials were used or reproduced in the JTM45/100 and the methods of construction employed in the late 1960s were revisited too. In addition, the Marshall block logo, black Levant covering, original venting, beading and piping replicate the look and style of the originals. Product Details: The JTM45/100 is extremely straightforward. Its two channels — High Treble and Normal — each have two inputs (High and Low sensitivity) and separate Loudness (volume) controls. Both channels share the amplifier’s four tone controls: Treble, Middle, Bass and Presence. The 40th Anniversary Stack’s two 4x12 speaker cabinets (812T40 and 812B40) were designed to recreate the majestic look of the original 8x12* when stacked — with the back of the angled 812T40 being semi-open, just like the top half of the original 8x12. Just like the original 8x12, both cabs are loaded with Celestion T652 Alnico Speakers. *NOTE: For obvious, practical reasons, we opted to split the 8x12 in two as opposed to recreating the monolithic original! All 40th Anniversary Stacks are individually numbered and come with a numbered certificate signed by Dr. Jim Marshall, OBE, in a leatherette folder. Also included is a full set of dust covers. Only 250 units will be available worldwide. The Marshall 40th Anniversary Stack is currently available with a U.S. MSRP of $9000. History of the Marshall Stack — The Beginning of Rock ‘n’ Roll Time In 1960, company founder Jim Marshall opened his first music shop in West London. Initially stocking drums, Jim eventually expanded into selling guitars and amplifiers, and then started building speaker cabinets too. By listening to guitarists who frequented his shop, he realized they required a sound that wasn’t on the market at the time, so he and his team of electronics experts started searching for that elusive sound. In September of 1962, the first Marshall amp was built; the first angled-front 4x12" cabinet followed soon after and a legend was born. 1965 was the next significant landmark for Marshall. Pete Townshend of The Who needed a louder amplifier, so Jim had his team begin work on a 100 Watt head to satisfy the guitarist’s demands for more. “We were so proud of those first 100 Watt amps,” recalls Jim Marshall, “then Pete came in again and said he wanted me to build an 8x12 cabinet to go with his new heads — a single cabinet with eight speakers! I told him it would be ridiculously heavy to transport and said ‘Look Pete, I’ll make a 4x12 with a straight front and put an angled one on top,’ but Pete said, ‘That’s what I have roadies for.’” When delivered, the Marshall 8x12's were paired with the 100 Watt heads to create a massive backline. As Jim had predicted, The Who’s road crew were far from happy with the behemoths! “Sure enough,” Jim continues, “Pete came back a few weeks later and said, ‘You were right, Jim.’ So I ended up doing what I originally wanted, which was the straight-fronted cabinet with the angled one sitting on top, and that’s how the stack was born,” concludes Jim. With the stack’s introduction, Marshall literally changed the landscape of rock ‘n' roll history forever. Today, 40 years after the introduction of the original stack, Marshall Amplification continues to dominate stages around the world as the amplifier of choice for discriminating guitarists such as Zakk Wylde, Slash, Kerry King, Dave Navarro, Sean Martin, John 5 and Allison Robertson, to name but a select few. Marshall stacks have been featured in countless music videos, television commercials and movies such as Spinal Tap, Woodstock Live, Rock Star, School of Rock, Almost Famous and numerous others. For an in-depth company background on Marshall Amplification, please visit www.neilsonclyne.com/marshall/marshall_history. Information for this document was gathered from a variety of sources including Marshall company brochures and the books, The History of Marshall by Mike Doyle, and Jim Marshall: The Father of Loud by Rich Maloof.
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